Author: Eliot Stempf

Gogol’s ‘The Portrait’ and Russian Orthodox Iconography

Nikolai Gogol’s “The Portrait” is a short story about art. First written in 1835 and then significantly revised in 1842, the work explores a central concern in Romantic aesthetics: the role of the artist and his creation. Through a series of ekphrases, i.e. literary representations of visual art, the narrative of “The Portrait” examines the […]

Museum Studies Abroad