Redemption for Dostoevsky and Nietzsche: A Comparative Analysis

Nietzsche once described Dostoevsky as “the only person who has ever taught me anything about psychology” (Gide 168). Upon looking deeper into the connection between the two men, it is apparent that both Nietzsche and Dostoevsky had complex philosophies, and it would be difficult, if not impossible, to compare their philosophical systems completely. Therefore, focusing […]

Russian Literature in Kyrgyzstan at the Beginning of the 21st Century: A Reflection of the Social, Spiritual, and Moral State of Society

An interest in the literary works by Chingiz Aitmatov led me to Kyrgyzstan in the summer of 2010 in order to study this writer’s native tongue, and, I hoped, discover more about other writers from this small but dynamic country. Before I left the United States, my online research resulted in very few sources that […]

The Conscript and the Commander: The Pictorial Tradition in Sokurov’s Confession

In Confession [Povinnost’, 1998] Russian director Aleksandr Sokurov explores the world of post-Soviet naval service in a lengthy, made-for-television documentary. Marked by Sokurov’s distinctive use of painterly cinematography, Confession’s visual qualities distinguish it from typical examples of documentary film. Disavowing conventional narrative structures such as plot, easily comprehensible symbolism, and transparent social commentary, Sokurov constructs a deeply personal vision […]

Gogol’s ‘The Portrait’ and Russian Orthodox Iconography

Nikolai Gogol’s “The Portrait” is a short story about art. First written in 1835 and then significantly revised in 1842, the work explores a central concern in Romantic aesthetics: the role of the artist and his creation. Through a series of ekphrases, i.e. literary representations of visual art, the narrative of “The Portrait” examines the […]

Nabokov vs. Набоков: A Literary Investigation of Linguistic Relativity

I don’t think in any language. I think in images. I don’t believe that people think in languages. They don’t move their lips when they think. It is only a certain type of illiterate person who moves his lips as he re ads or ruminates. No, I think in images, and now and then a […]

Mind/Body, Jewish/Russian: Identity Fragmentation in Isaac Babel’s “Story of My Dovecote”

“It is always the dominant people who define what is beautiful.” -Melvin Konner, The Jewish Body One of Isaac Babel’s semiautobiographical childhood stories, “Story of My Dovecote” [«История моей голубятни»], explores the process of a Jewish boy growing up in early twentieth-century southern Ukraine among revolutionary reforms, anti-Jewish discrimination, and anti-Jewish pogroms. In “Story of My […]

Anne Fisher: Translation and Interpreting as Professions

Dr. Anne Fisher holds a Ph.D. in Russian Literature from The University of Michigan. She has taught Russian in several institutes of higher learning and is now a professional translator and interpertor living in California. Her first major translation, Ilf and Petrov’s American Road Trip: The 1935 Travelogue of Two Soviet Writers, was shortlisted for the […]

‘Irrational’ Rebellions Against Socialist Realism: Czech and Russian Variations on the Legend of Faust

During the 20th century, communist parties assumed state power in Russia and a number of Central and East European countries. The communist leadership of these nations imposed socialist realism as official doctrine governing artistic production. The ruling parties’ ideology emphasized human rationality as the means for creating a well-ordered socialist society, which would be free of […]

Unifying the Christian Ontology of Tolstoy and Dostoevsky

Comparative criticism of Tolstoy and Dostoevsky is a continuous dialog that has been, and continues to be, a useful means for understanding the work of both authors. The reasons for frequent comparison are numerous, but perhaps the most important factor is that these two authors present the unique condition of offering the perspectives of two […]

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