The Loft's observation deck.

Loft Project Etagi

Published: April 12, 2019

The Loft Project Etagi is a creative space located on St Petersburg’s Ligovsky Prospect. Affectionately known as “the loft” by those who frequent it, it is community-driven project to develop modern art in St. Petersburg. It has a nuanced history that reflects Russia’s transition from communism to a market economy and represents Russians’ desire to contribute to the development of their economy and society.


Post-Soviet Urban Revitalization in St. Petersburg

The building housing the loft project, a repurposed bread factory, was built in 1936. During this time, the USSR’s major cities were rapidly industrializing. The Smolinsky Bakery survived the fall of communism, but moved to a new space in 2005, abandoning the central location for a more cost efficient space further out. This was a rapid and often-seen process in many major cities, and eventually created a “rust belt” of abandoned production space in St. Petersburg and other cities. Following global trends in city development, these centrally located abandoned spaces soon became part of revitalization projects. In Russia, these were led by a newly emerging creative class, which formed creative clusters, hotbeds of art creation and consumption, in the rust belts.

The construction of the loft project’s building in 1936

In St. Petersburg, this development was regulated by the Russian Ministry of Culture, which was charged with preserving areas of historical significance, and St Petersburg’s Investment Committee, which sought to develop and expand the city’s transitioning economy. The Committee offered incentives of discounted leases or even donated property to developers if 70% of development would contribute to social activities.

A 2017 study by A.V. Aleinikov et al., for St Petersburg State University found that creative spaces in the city rarely have any impact outside of their walls. The study found that the loft, which was the first of its kind, is the only exception. The street it is located on, Ligovsky Prospect, has changed drastically. Once an industrial neighborhood, it is now full of art galleries, shops, and restaurants and has become an area that youthful residents flock towards.

Although their individual contributions have been more limited, there are now more than 100 creative spaces in repurposed developments in St. Petersburg. Collectively, these efforts are contributing greatly to positively impacting the city’s creative capital and helping St. Petersburg to grow a unique brand for itself on a global scale.

A photo of a similar creative space on New Holland Island in St Petersburg. Photo by Katya Nikitina

The Loft’s Organizational History

The Loft Project Etagi opened in 2007. The founders of the loft are brothers, Igor and Saveliy Arkhipenko, who turned the industrial area into a creative space with galleries and workshops. Saveliy Arkhipenko, the more public of the two, had already developed connections within St. Petersburg’s creative community as an architect and designer. After the pair purchased the building, they worked with photographers, artists, and sculptors from all over the world, but also with local artisans and entrepreneurs to fill the building’s five floors with a semi-chaotic ecosystem teaming with galleries, shops, classrooms, and studios each run by individuals each sharing their own creativity, vision, passion, and products.

St Petersburg has long been a global center for European art. When the loft was developed, the city already housed the Hermitage, the second largest museum in the world, and the Russian Museum, the world’s largest collection of Russian art, and many other museums of note. The Arkhipenkos thus knew that art is a vital part of the culture in St Petersburg – but also recognized that not enough was being done to sponsor the growing local contemporary art scene. Today, the loft serves as attractive addition to Petersburg’s pantheon of artistic spaces, and has shown an ability to adapt with changing times. It brings in an eclectic group of people from artists, tourists, and local Russians of all types.

Setting up of an art show in the Loft Project

Although originally dependent on donations and grants, this organic structure has now allowed the loft to become a fully self-funded, self-sustaining creative institution. Now that they have filled the full factory – and indeed, beyond, with shops and space spilling out into the courtyard – they have also turned their focus to not just hosting individuals, but incubating their enterprises to the point where they might expand beyond the loft.

The lofts’s former logo that was established with the company in 2007

In 2018, the loft underwent a rebranding effort, changing its symmetrically perfect logo into one that is pixelated. The graphic designer of this new logo, Mitya Kharshak, described his latest work as “dissembled into details.” Certainly, in a place where there are no directions and one must wonder around a bit to find different shops, it is the small details that matter the most. This redesign coincided with the loft’s transitioning mission statement with a new focus on becoming an incubator for start-ups rather than simply acting as an art gallery.

The new loft logo

Whilst the loft changed their logo and their mission statement, the interior and exterior of the building remained the same. The building’s industrial exterior and interior are met with contemporary art and design throughout the building: there are concrete columns, bread-making equipment broiler tubes, iron floors, all combined with new and antique furniture as well as floor-to-ceiling white walls. Thus, while the project is focused on modern life, cultural production, and contemporary art, the entire project also actively seeks to remember its past. This is similar to the style of many art galleries in reclaimed spaces in New York and London.

The brothers’ investment into the art market turned out to be a huge success. In 2008, the space developed had grown to host up to 11,000 to 15,000 people for large exhibitions. To this day, when you enter the loft project the alleyway and building are full of people.


Structure of the Loft

The building has a unique circular layout, focused on its center. Each floor, including the basement, roof, and surrounding alleyway, have been turned into useable space. Each is unique and generally chaotic and ever-changing in its own way. The whole project, in fact, takes its name from these floors: “etagi” means “floors” in Russian.

The first floor is fairly open and you can see from one side to the other, with a food court with small stands featuring various local food vendors. The set-up is reminiscent of a fair or exhibition where vendors set up small booths and call out to you to purchase vegan food, shawarma, Korean food, desserts, burgers, and more as you walk by. The other floors, however, are structured around the staircase that runs through in the middle of the building.

In the basement of the loft is the Pioneer DJ School. The old-school style of the industrial building is met with a new job opportunity in the ever-changing world. They offer attendees individual lessons as well as online training. They also have a small shop with a range of equipment available to purchase. Although the loft reflects Soviet history with its industrial exterior, it is completely modern in its ability to accept new streams of creativity and make these streams available to the general public.

The second and third floors of the loft feature a variety of places where you can purchase unique items made in Russia. There is also a variety of used clothing stores where you can find inexpensive items from multiple periods in fashion. Woven throughout these floors are also shops selling photography and paintings. For example, on the second floor is a shop where you can have a picture of your retina taken and framed. Venders and artists rent small rooms the line the walls. There is no consistency in the layout of the shops as you can find anything from a hookah shop to a skincare shop on the same floor.

The fourth floor is given over to a traditional art gallery with temporary exhibitions by mostly local artists. For instance, Lada Ulitina held an exhibition there called Dreams of Infinity.

The art gallery on the fourth floor with the old logo still on display

On the fifth floor is an anti-cafe called the Green Room. These sorts of cafes were born in Russia and are now very common in St Petersburg. The premise of an anti-cafe is to pay for your time rather than the food you purchase, so you can get an unlimited quantity of (simple) food and drinks while you are there. The Green Room is also an ideal place to work on your Russian as it is a great place to either meet Russians or bring a language partner. Some people use it as a coffee shop to work on homework alone. The anti-café also sits next to a more traditional food court that has a larger seating area than the court on the first floor.

The loft’s roof is also used as a creative space and is one of the highlights of the building. From the roof you can stand 27 meters above the city, on St. Petersburg’s second highest open air observation deck and sit or mingle with other visitors. Only visiting St. Isaac’s Cathedral will get higher. In the summer months, a variety of events are hosted on the roof including art shows, poetry readings, wine tastings, and musical performances. The fee to enter the observation deck is very low at only 100 rubles per person.

Photo of the alleyway that the loft project is located in.

Finally, the large alleyway that leads to the entrance has also now filled with little stands and large clear containers that host shops and small cafes. Upon entering you are greeted by a youthful Russian crowd. This modern look is instantly juxtaposed with the Soviet style industrial building that hosts the rest of the shops. This juxtaposition of old and new is a common thread throughout the project.

One store in the alleyway, named Capsule, stands out among the rest. The store is completely oriented towards youth street clothing and accessories but only sells Russian made products such as the popular St Petersburg brand named MEDOOZA. According to the MEDOOZA’s website, the two owners, Ivan and Alexey, created the brand to embrace “Freedom, Creativity, and Individuality.” This kind of brand reflects the entire idea of loft: sponsoring the development of art and clothing made in Russia. According to the company’s website the clothes are designed and produced in St Petersburg, so if you would like a locally-made sweater or t-shirt, this should be your first stop in the city.

The loft’s support of the local community is also seen in the variety of events it holds to bring locals together. For example, in early March it hosts an annual Spring Market where you can purchase unusual locally produced handmade items. Some of these events also more directly reflect the loft’s commitment to displaying the written, verbal, and visual arts. Most exhibitions are temporary – which of course helps keep people coming again and again, forming a community and helping the businesses it hosts, but also means that one needs to follow the schedule if you like art and don’ t want to miss anything. For instance, in April of 2018 the loft hosted Marina Koldobskaya’s Ladybug performance in which she painted a wall to rhythmic music while the audience watched.

“Wordless,” wall-painting session on Vilnius Art Fair by Marina Koldobskaya, stand of Frants Gallery Space, 2011.

Overall, the loft is the success story of urban revitalization creating a new self-sustaining system for cultural production and consumption in St Petersburg. Today, the building still stands as a reminder of Russia’s Soviet past is now most sought after place for modern art to be displayed. The project has spilled beyond its walls to create a new community of youthful Russians that is transforming Ligovsky Prospect, and all of St Petersburg into an economically sustainable community at the forefront of global culture.

About the author

Lucy Harnish

Lucy Harnish has an English Literature degree with a double minor in Russian Culture and History from McGill University in Montreal, Quebec, Canada. Lucy spent two semesters with SRAS studying Russian as a Second Language in St Petersburg, Russia in the hopes of being able to reread the works of Turgenev, Dostoyevsky, and Tolstoy in the Russian language. She also planed to utilize the experience she gains while studying abroad to pursue a degree in journalism.

Program attended: Home and Abroad Scholar

View all posts by: Lucy Harnish